One line from this article grabbed me: “It is impossible to grasp the city, one can only take a fragment of it.”
[Image Source] | Circle of Confusion by Joana Hadjithomas and Khalil Joreige | Photographic installation | Mirror, colour digital prints (3,000 pieces), ink inscriptions.
The work resonates with the aim of my project, as it seeks to represent the city of Beirut: how it’s various and poorly documented conflicts have cut it into pieces, making it impossible to make a “true” picture of it, inviting the user to destroy the city by taking pieces off the board and scattering them, revealing a layer beneath. One of the questions brought up in the article is: “How does the viewer’s participation in this work, by removing and taking possession of a fragment of the city of Beirut, add to the meaning of Circle of Confusion?”
Similarly I can attempt to create a question for my work: How does the viewer’s participation in this work, by revealing the hidden city of Mumbai in the viewer’s shadows, add to the meaning of Mumbai+Bombay?
mumbai+bombay 